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Mediatic Shakespeare: The Dynamics of Orality, Script and Print in the Plays and Poems

by Richard Cavell

Shakespeare amid a changing media landscape

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AlbakiReads Editorial

Shakespeare amid a changing media landscape

Richard Cavell approaches Shakespeare through the transition from spoken traditions to print, treating print as a cultural force that shaped the world in which the plays and poems were produced. The book connects this shift to tensions between oral community and literacy, and to changing ideas of shared knowledge and experience. Its four chapters move from Shakespeare’s media environment and the interface of speech and writing to the breakdown of the sensus communis and the effects of what Cavell calls the “printing involution.” Drawing on media theorists including Marshall McLuhan, Friedrich Kittler, and Bernhard Siegert, Cavell places Shakespeare’s work within a broader account of how media change can unsettle ways of knowing and being.

Good fit for readers who enjoy

  • Readers interested in Shakespeare’s plays and poems through the lens of media history.
  • Students and scholars of literary criticism, orality, literacy, and print culture.
  • Readers familiar with media theory, including the work of McLuhan, Kittler, or Siegert.

Themes

Shakespeare and print cultureOrality and literacyMedia changeShared knowledge and communityMedia theory

Based on publisher information and book metadata.

Book overview

Shakespeare produced his works during a media shift that was unmatched - until our own.

Mediatic Shakespeare by media theorist Richard Cavell examines how Shakespeare's writing engaged with the cultural upheaval of an era shifting rapidly from spoken traditions towards print materials. Cavell argues that print was an active cultural force that was in the process of reshaping Shakespeare's world and work. Nostalgic for oral communality, Shakespeare engaged guardedly with print, producing a media dynamic that resonates throughout his work.

Drawing on media theorists from Marshall McLuhan to Friedrich Kittler and Bernhard Siegert, Cavell traces Shakespeare's engagement with the effects of a media ecology in which knowing and being were aggressively in flux.
Structured across four chapters, Mediatic Shakespeare explores Shakespeare's media ecology, the unsettling interfaces of orality and literacy, the breakdown of the sensus communis, and the implications for his work of the printing involution.

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