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Masochism

by Leopold Von Sacher-Masoch

A philosophical reading of Masoch and desire

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AlbakiReads Editorial

A philosophical reading of Masoch and desire

This volume centers on Gilles Deleuze’s essay *Coldness and Cruelty*, which examines Leopold von Sacher-Masoch’s writing and distinguishes masochism from sadism as separate worlds rather than complementary impulses. The discussion connects Masoch’s treatment of erotic desire with broader historical and philosophical questions. It also places *Venus in Furs* within *The Heritage of Cain*, an unfinished cycle planned around themes including love, war, and death. The book’s emphasis is on how recurring images and practices—such as contracts, disguises, punishment, and coldness—function within Masoch’s particular conception of love.

Good fit for readers who enjoy

  • Readers interested in philosophical approaches to literature and desire
  • Readers studying German literary classics or Masoch’s work
  • Readers seeking criticism that considers the relationship between sadism and masochism

Themes

Masoch and erotic desireSadism and masochismLove, war, and deathLiterary criticism and philosophy

Based on publisher information and book metadata.

Book overview

In his stunning essay Coldness and Cruelty Gilles Deleuze provides a rigorous and informed philosophical examination of the work of late nineteenth-century German novelist Leopold von Sacher-Masoch. Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's "peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity." He shows that masochism is something far more subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism: their worlds do not communicate, just as the genius of those who created them -- Masoch and Sade -- lie stylistically, philosophically, and politically poles apart.

Venus in Furs, the most famous of Masoch's novels, belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes, including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here -- fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness -- these received associations do not eclipse the truly singular and surprising power of Masoch's eroticism.

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