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Marian Poem-Prayers in the Modern Age: Real Assent

by Jean Ward

Mary’s return to modern English poetry

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AlbakiReads Editorial

Mary’s return to modern English poetry

Jean Ward examines twentieth- and twenty-first-century poems addressed to or involving Mary, reading works by poets including T. S. Eliot, David Jones, Geoffrey Hill, Elizabeth Jennings, Hilary Davies and Rowan Williams. The study places these poem-prayers within the revival of Marian devotion from the nineteenth century onward, after a long period in which Mary was largely absent from English religious life and poetry. It also considers how the perception of Marian devotion as un-English shaped the work of modern poets from Roman Catholic and Anglican backgrounds. Ward connects these readings to John Henry Newman’s idea of “real assent,” presenting Mary as a figure through which commitment to God involves more than intellectual agreement.

Good fit for readers who enjoy

  • Readers studying modern English poetry and religious themes.
  • Those interested in Marian devotion across Roman Catholic and Anglican contexts.
  • Readers exploring John Henry Newman’s concept of “real assent” in literary study.

Themes

Marian devotionModern English poetryReligion and literary criticismReal assentCatholic and Anglican perspectives

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Book overview

This book explores a range of twentieth and twenty-first century poem-prayers directed to or involving Mary. In readings of works by T. S. Eliot, David Jones, Geoffrey Hill, Elizabeth Jennings, Hilary Davies, Rowan Williams and others, Ward traces the resurgence of interest in Mary from the late nineteenth century to the present day.

By the early twentieth century, the once widespread and fervent cult of the Virgin Mary had for more than three hundred years been largely absent from England's religious life. Similarly, the figure of Mary had almost vanished from English poetry, only to return, gradually, as Marian devotion began to revive in the nineteenth century.

The perception of this devotion as somehow un-English, dominant since the Reformation, presented a challenge to poets engaged with the Marian theme in the modern day. Marian Poem-Prayers in the Modern Age examines how male and female poets from both Roman Catholic and Anglican backgrounds responded to this situation. The book also argues that the figure of Mary is a type of John Henry Newman's category of "real assent" commitment that is not merely intellectual, but involves the totality of a person's being in relation to God.

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