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The Man

by Laura Sims

A private photographic pursuit turns into a source of danger

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Awards & Recognition

  • Critical praise

    Praise from Ana Reyes

    Ana Reyes praises the book as “fiercely intelligent and deeply chilling” and calls it “the perfect book club read.”

AlbakiReads Editorial

A private photographic pursuit turns into a source of danger

Set in the 1960s, Laura Sims’s psychological thriller centers on Judith Stanley, a suburban housewife whose self-portraits begin to show a dark male figure in the background. Photography is a private passion, but encouragement from an instructor pushes Judith to take her camera beyond her neighborhood—and brings her face to face with fears she connects to her past. The camera links the novel’s suspense to questions of artistic freedom and the threat Judith perceives both around her and within her own mind. The publisher’s description frames the story around the experience of fear as a woman, while keeping the identity and nature of the figure in question.

Good fit for readers who enjoy

  • For readers of psychological suspense built around a threatening mystery.
  • For readers interested in fiction about women’s fears and artistic freedom.
  • For readers drawn to stories involving photography and a 1960s setting.

Themes

Psychological suspenseArtistic freedomWomen and fearPhotography and self-portraiture

Based on publisher information and book metadata.

Book overview

PRAISED BY ANA REYES, MONA AWAD, ANDREA BARTZ, VANESSA CHAN, DANIELLE TRUSSONI, AND MORE!

"Fiercely intelligent and deeply chilling. . . . The perfect book club read." --Ana Reyes, New York Times bestselling author of The House in the Pines

From the highly acclaimed author of How Can I Help You, a New York Times Best Thriller of the Year: a singular take on the psychological suspense novel that follows a 1960s housewife turned amateur photographer who begins to fear for her life when she notices the dark silhouette of a man in the background of her self-portraits.


The photos Judith Stanley takes are just for her, a private passion to fill her suburban days. But when she shares them with Paul Sorenson, her new photography instructor, she's unprepared to hear his astonished praise. "Stunning," he calls her photos. "Extraordinary." She has an uncanny eye, he says, and should consider publication. He could help. Except Judith has no interest in sharing her work; in fact, the mere idea of it frightens her.

Still, emboldened by Paul's encouragement, Judith ventures out beyond her quiet neighborhood to the city in search of increasingly striking images. When she starts to notice the dark shape of a man in the corner of her self-portraits, Judith is certain he's an attacker from her past. She doesn't know why he has returned, but she's sure of his presence: the hoarse sound of his breathing, his hard grip on her elbow. Perhaps it would appease the man if she were to put her camera down and give up her private passion. But she can't; she refuses. Until one night when the man finally emerges from the shadows, and Judith's story suddenly and irrevocably becomes his own.

Chilling and heart-poundingly propulsive, The Man is a phenomenal and timely novel exploring the inescapable fear of living as a woman, the tantalizing seduction of artistic freedom, and the very real dangers that lurk both inside and outside the confines of the mind. The Man marks Laura Sims as an extraordinary talent at the top of her game; and this, her third novel, is her greatest achievement yet.
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