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Maia Ruth Lee: Bondage Baggage

by Maia Ruth Lee

Migration, language, and the forms of a life

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AlbakiReads Editorial

Migration, language, and the forms of a life

Maia Ruth Lee’s first monograph brings together work from Bondage Baggage across sculpture, painting, prints, photography, film, and installation. Maps, atlases, banners, textiles, and bound baggage recur as visual forms through which the book considers migration, translation, symbols, and the self amid dissonance and globalization. Images of the series are paired with correspondence between Lee and artist peers, addressing motherhood, community, communication, independence and interdependence, and the conditions of art-making in a fraught geopolitical moment. The exchange gives the volume a layered structure: artworks sit alongside letters that connect questions of form with lived experience.

Good fit for readers who enjoy

  • For readers interested in contemporary art across multiple media.
  • For those exploring migration, language, and identity in art.
  • For readers interested in artists’ correspondence and reflections on motherhood, community, and art-making.

Themes

Migration and globalizationLanguage, translation, and communicationIdentity and the bodyMotherhood and communityIndependence and interdependence

Based on publisher information and book metadata.

Book overview

After growing up and living in South Korea, Kathmandu, New York City, and Colorado, migration lies at the core of Maia Ruth Lee's practice, coming to form in works that evoke maps, atlases, and banners with an underlying interest in language, translation, symbols, and signs that permeates through her first monograph.


Working across painting, sculpture, photography, and film, Lee has crafted a visual lexicon that takes on the complexities of the self in times of dissonance and globalization. In BondageBaggage, the body is also referenced, as the bound baggage and textile works metaphorically visualize the accumulations and contours of a life.

The book weaves images of the sculpture, paintings, prints, and installation works that comprise this series with correspondence between Lee and artist peers from around the world, letters that tackle the realities of motherhood, community, language/communication, independence and interdependence, and art-making in this fraught geopolitical moment. Contributors include Amanny Ahmad, Brook Hsu, Christine Sun Kim, Jimin Seo, and Martine Syms, with an introduction by Jade Foster.

Lee's work is in the collections of the Whitney Museum of American Art.
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