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The Magpie at Night: The Complete Poems of Li Qingzhao (1084-1151)

by Li Qingzhao

Poetry shaped by art, place, and upheaval

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AlbakiReads Editorial

Poetry shaped by art, place, and upheaval

Li Qingzhao’s ci—lyrics originally set to music—bring together observations of country life in the Song dynasty and reflections on the work of making art. The poems also address the pressures surrounding a woman poet’s place in literary culture, against a backdrop of exile, war, and imprisonment. Wendy Chen’s translation presents the collection as a portrait of an artist’s inner life, linking intimate surroundings with questions of creation and posterity.

Good fit for readers who enjoy

  • Readers exploring classical Chinese poetry and Song-dynasty literature
  • Those interested in poetry about artistic labor and women’s place in literary culture
  • Readers seeking a complete collection of Li Qingzhao’s poems in translation

Themes

Classical Chinese poetryArtistic labor and posterityWomen and literary cultureCountry life in the Song dynastyExile and war

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Book overview

A luminous new translation of the greatest woman poet in Chinese history, highlighting Li Qingzhao's iconoclastic verse and showcasing her visionary portrait of the inner workings of the artist's mind.

The Magpie at Night is a lyrical and searching portrait of the inner life of Li Qingzhao, one of the greatest poets in Chinese literary history. These spare and arresting poems evoke with rare immediacy the quiet and haunting beauty of country life during the Song dynasty; the unseen, restive labor of the poet; and Li Qingzhao's bracing and complex take on what it means to create art as a woman in the shadow of exile, war, imprisonment, and an unwelcoming literary establishment.

In Wendy Chen's splendid new translation, each of Li Qingzhao's ci--lyrics that were originally set to music--is as sharp and fresh as the edge of a new spring leaf. These richly textured bolts of melody tell a story that will resonate with scholars eager to restore this iconic figure to the canon of classical Chinese poetry, as well as with contemporary readers who will relate to the strikingly modern mode in which she delivers her wry, unsentimental, and bracing thoughts on art and posterity.

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