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The Mad

by Ignatius T. Mabasa

A portrait of post-independence Zimbabwe

Regular price $151.27 USD
Regular price $151.27 USD Sale price $151.27 USD

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Awards & Recognition

  • Award recognition

    Awarded the Zimbabwe Book Publishers Association Award

    The metadata states that The Mad was awarded the Zimbabwe Book Publishers Association Award.

  • Critical praise

    Praised by The Times Literary Supplement

    The Times Literary Supplement called The Mad “one of the most significant books to have come out of Africa.”

AlbakiReads Editorial

A portrait of post-independence Zimbabwe

Set in the second decade of Zimbabwe’s independence, *The Mad* brings together poverty, violence, fear, and the search for something elusive in a portrait of marginalized communities facing colonial legacies and social rupture. Its account is shaped by dramatic monologues and dialogue-driven exposition, with a structure described as echoing oral performance. The source also highlights the novel’s attention to language politics, cultural continuity, and dislocation, alongside dreams, strife, and moral ambiguity. Originally published in Shona as *Mapenzi*, the novel offers a view of survival and upheaval in Zimbabwean life during this period.

Good fit for readers who enjoy

  • Readers interested in fiction rooted in Zimbabwean history and society.
  • Readers exploring Southern African literature and postcolonial themes.
  • Readers interested in oral-performance structures, monologues, and language politics.

Themes

Postcolonial dislocationPoverty and survivalViolence and dehumanizationCultural continuity and ruptureLanguage politics

Based on publisher information and book metadata.

Book overview

In The Mad, originally published in Shona as Mapenzi and awarded the Zimbabwe Book Publishers Association Award, Mabasa's pen runs riot, using sarcasm, humor, and a disjointed writing style that gels with its troubled and unpredictable characters. Set in the second decade of Zimbabwe's independence, the novel paints a vivid portrait of poverty, violence, dehumanization, and postcolonial dislocation. It doesn't shy away from painful truths, instead laying bare the realities of marginalized communities in Zimbabwe and exploring madness, dreams, strife, and a search for something that seems elusive. Evocative of the hustle and bustle in the lives and minds of many Zimbabweans during this period, the story reeks with the experience of people struggling to survive poverty, violence, disintegration, fear, coloniality, and dejection.

Structured in a way that echoes oral performance, with dramatic monologues, dialogue-driven exposition, and moral ambiguity that swim in a pool of decolonial language politics, The Mad is not only a milestone in Zimbabwean literature but a powerful African literary work that redefines what the modern African novel can be. It uniquely contributes to the broader conversation around how African societies manage cultural continuity and rupture in the face of colonial legacies, poverty, and globalization. It is no surprise, then, that The Mad has been awarded the Zimbabwe Book Publishers Association Award and that The Times Literary Supplement has called The Mad "one of the most significant books to have come out of Africa."

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