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Louis Stettner

by Sally Martin Katz

A chronological survey of Louis Stettner’s urban photography

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Hardcover New English

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AlbakiReads Editorial

A chronological survey of Louis Stettner’s urban photography

Spanning a career that began in the mid-twentieth century and continued for decades, this monograph gathers approximately 190 photographs by Brooklyn-born photographer Louis Stettner. Its chronological arrangement places his New York and Paris images alongside studies of Penn Station, the Brooklyn Bridge, and the subway, as well as street photographs centered on metropolitan life. Though Stettner is closely associated with black-and-white work, the selection also incorporates color photographs, including previously unpublished images. Sally Martin Katz situates the photographs within Stettner’s wartime experience, his connection to the Photo League, and his professional relationships with figures including Weegee, Sid Grossman, Ruth Orkin, and Berenice Abbott.

Good fit for readers who enjoy

  • Fans of monographs on individual twentieth-century photographers
  • Readers interested in photographic views of New York and Paris
  • Those interested in the Photo League and the history of street photography

Themes

Urban lifeNew York and ParisStreet photographyPhotography historyThe Photo League

Based on publisher information and book metadata.

Book overview

This volume brings together the most important photographs from the long career of Louis Stettner. Born in Brooklyn, New York, in 1922, Stettner's life would span nearly a century, his work reflecting the unique vision of one of the twentieth-century's master photographers.

Organized chronologically, Louis Stettner presents approximately 190 photographs from Stettner's career, featuring his iconic images of New York and Paris; the architecture of urban wonders such as Penn Station, the Brooklyn Bridge, and the New York City subway; as well as candid and empathetic street photographs of the people who inhabit these metropolitan centers.

While celebrated for his black-and-white works, the book also includes Stettner's works in color, many previously unpublished and unknown. The authors investigate the influence of his experiences as a photographer in World War II on his life and work. They also explore his experience with the celebrated Photo League cooperative and his relationships with photographers such as Weegee, Sid Grossman, Ruth Orkin, and Berenice Abbott. The result is a definitive book on Stettner's photography--making the work of the great lensman available to generations of readers.

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