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Loot: The Battle Over the Stolen Treasures of the Ancient World

by Sharon Waxman

Who owns the ancient world’s treasures?

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AlbakiReads Editorial

Who owns the ancient world’s treasures?

Sharon Waxman examines the dispute over ancient artifacts held by major Western museums and claimed by the countries where the objects originated. The book traces a conflict shaped by centuries of collecting and by newer efforts to secure returns, including court cases, prosecutions of curators, and public pressure. Its geographic scope connects institutions such as the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum with Egypt, Turkey, Greece, and Italy. The central question is how museums’ collections, cultural exchange, and claims of national ownership intersect when the objects at stake are part of the ancient past.

Good fit for readers who enjoy

  • Readers interested in ancient history and archaeology
  • Museum visitors curious about how collections were assembled
  • Readers following debates over cultural heritage and artifact returns

Themes

Ownership of ancient artifactsMuseum collectingCultural heritage and repatriationCultural exchange

Based on publisher information and book metadata.

Book overview

"Fast-paced and compelling . . . Waxman has an array of wondrous tales to tell . . . Considerable, admirable, and totally absorbing."--The Boston Globe

For the past two centuries, the West has plundered the treasures of the ancient world to fill its great museums, but in recent years the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects.

Sharon Waxman brings us inside this high-stakes conflict, from the great cities of the West to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She shows how the actions of a few determined and implacable characters may yet strip these museums of some of their most cherished treasures.

For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.

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