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Let Me Tell You and Let Me Go on

by Paul Griffiths

Ophelia’s words, rearranged into two novels

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AlbakiReads Editorial

Ophelia’s words, rearranged into two novels

Paul Griffiths builds two novels from the language Shakespeare gave Ophelia, rearranging and repurposing her dialogue to give her a story of her own. The first looks back to her childhood and the period before Hamlet begins; the second follows her after she has made her decision, as she enters a new world and encounters other characters. Together, the books shift attention from Ophelia’s role in the play to the possibilities of her life beyond its familiar frame. Their form makes Shakespeare’s original wording both the material and the point of departure for this reinterpretation.

Good fit for readers who enjoy

  • Readers interested in retellings that recenter a character from Shakespeare.
  • Readers curious about fiction shaped from an existing literary text.
  • Readers seeking a two-part imaginative expansion of Hamlet’s world.

Themes

Voice and self-representationReinterpretation of ShakespeareChoice and transformationLife beyond a familiar story

Based on publisher information and book metadata.

Book overview

Two novels from the perspective of Hamlet's Ophelia--the first set before the events of the play, the second after--written entirely by remixing and repurposing the character's dialogue from Shakespeare's original text.

"So: now I come to speak." With this line, Shakespeare's Ophelia starts telling her story. In let me tell you, this newly revealed woman uses exactly the same words Shakespeare gave her in Hamlet, shifted as in a kaleidoscope to create a very different voice: her own. We hear her personal narrative from childhood to the moments before the start of the play, when she knows she has a fateful decision to make. Along the way, we discover whole new angles on her father, her brother, the prince, and other characters who come out from behind the curtain.

In let me go on, her decision made, she refashions herself. Emerging from her old world, she explores a new one, of magical variety yet coherent. As she goes in search of what she may still become, she meets a new cast of characters, some poignant, some hilarious. Paul Griffiths gives this remarkable protagonist--and us--a play-full of humor, poignancy, passion, adventure, and a great many surprises.
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