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Latino New York: Art and Experience, 1970-2001

by Edward J. Sullivan

Latino art and New York’s changing cultural landscape

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AlbakiReads Editorial

Latino art and New York’s changing cultural landscape

Edward J. Sullivan combines his own path from student to curator and scholar with an account of Latino art’s changing place in New York from the 1970s to 2001. The book situates artists’ exhibitions and community-building amid the era’s liberation movements, then traces how the field gained visibility in museums, galleries and academic study. It also connects that history to crises including AIDS and 9/11, while bringing together figures, institutions and artworks across Latin American art, from ancient to modern. The result is a view of art history shaped by both individual careers and the changing institutions around them.

Good fit for readers who enjoy

  • Readers interested in Latino and Latin American art history
  • Readers studying New York’s art scene and cultural institutions
  • Readers who value art history combined with an author’s professional memoir

Themes

Latino art and community identityArt institutions and visibilityAutobiography and art scholarshipNew York cultural history

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Book overview

A nuanced and personal look at the Latino art world in New York from the 1970s to the new millennium

In this deft interweaving of autobiography with the story of Latino art's place in the flourishing New York art scene, Edward J. Sullivan calls attention to the prominent influence of Latin American artists from the 1970s until today. Recounting his own journey from student and curator to one of the field's most celebrated scholars, Sullivan gives readers an insider's look at a time when Latino art went from the margins to the spotlight and the discipline of Latin American art emerged. Beginning in the wake of the Black Power, gay liberation, and second wave feminism movements, Latino artists exhibited their work everywhere from alternative art spaces to major museums and forged a community and a collective identity. As Latin American and Latino artists navigated crises from AIDS to 9/11, they established their art forms as central to academic study and compelled New York's institutions, museums, and galleries take it more seriously.

Sullivan offers his readers an intimate view of the people, places, and events that populated the world of Latino art in New York as he showcases Latin American art from ancient to modern times. Rufino Tamayo, Carmen Herrera, Pep
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