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John Waters: Pope of Trash

by John Waters

John Waters’s films through their artifacts and collaborators

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AlbakiReads Editorial

John Waters’s films through their artifacts and collaborators

Published alongside the Academy Museum of Motion Pictures exhibition devoted to Waters’s films, this volume gathers material from across his features and shorts: costumes, props, handwritten scripts, concept drawings, correspondence, promotional items, and production photographs. The contents connect the films to their Baltimore setting, recurring collaborators, and themes including fetish, obsession, and celebrity culture. A new interview with Waters sits alongside essays by the exhibition curators and contributors from film history, criticism, and cultural writing, framing the work within the development of American independent cinema. The book offers a documentary, exhibition-linked view of Waters’s filmmaking, with original materials providing its organizing thread.

Good fit for readers who enjoy

  • For readers interested in John Waters’s films and career.
  • For film and cultural-history enthusiasts drawn to archival materials and exhibition catalogues.
  • For those interested in American independent cinema and filmmaking collaborations.

Themes

John Waters’s filmmakingAmerican independent cinemaBaltimoreFilm archives and production materialsCollaboration

Based on publisher information and book metadata.

Book overview

Irreverent, heartfelt, shocking and laugh-out-loud funny--a colorful celebration of the work of subversive auteur John Waters

Published with Academy Museum of Motion Pictures.

Known for pushing the boundaries of good taste, John Waters (born 1946) has created a canon of high-shock-value, high-entertainment movies that have cemented his position as one of the most revered and subversive auteurs in American independent cinema. Featuring misfit muses, tributes to his hometown of Baltimore and themes of fetish, obsession and celebrity culture, his renegade films--including Pink Flamingos (1972), Female Trouble (1974), Desperate Living (1977), Hairspray (1988), Serial Mom (1994) and A Dirty Shame (2004)--are irreverent, laugh-out-loud comedies that lovingly draw inspiration from William Castle, Herschell Gordon Lewis, Russ Meyer, Andy Warhol and Pier Paolo Pasolini alike. John Waters: Pope of Trash accompanies a landmark exhibition at the Academy Museum of Motion Pictures, the first dedicated solely to Waters' films. The book presents costumes, props, handwritten scripts, concept drawings, correspondence, promotional gimmicks, production photography and other original materials from all of the filmmaker's features and shorts. Spotlighting many of his longtime collaborators, it also features a new interview with Waters and texts by curators Jenny He and Dara Jaffe, film historian Jeanine Basinger, film critic and cultural theorist B. Ruby Rich, and author-writer-producer David Simon that explore how Waters' movies have redefined the possibilities of independent cinema.

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