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Joe Turner's Come and Gone: A Play in Two Acts

by August Wilson

A search for home and identity in a Pittsburgh boardinghouse

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Awards & Recognition

  • Award recognition

    Winner of the New York Drama Critics Circle Award for Best Play

    The source identifies this play as the winner of the New York Drama Critics Circle Award for Best Play.

AlbakiReads Editorial

A search for home and identity in a Pittsburgh boardinghouse

Set in a Black Pittsburgh boardinghouse, August Wilson’s two-act play brings together residents whose lives are unsettled by Harold Loomis’s arrival. After seven years of forced labor on Joe Turner’s chain gang, Loomis is physically free but remains burdened by the experience and by a sense of alienation. He has come looking for the wife he left behind, believing she can help restore his former identity. His encounters with the boardinghouse’s other residents broaden that search into a question of where he belongs in a changed world. The play connects personal displacement with the wider African-American experience in the twentieth century, with jazz influence also noted in the source description.

Good fit for readers who enjoy

  • Readers interested in American drama and plays set in Black communities.
  • Those seeking drama about forced labor, displacement, identity, and belonging.
  • Readers interested in plays engaging with twentieth-century African-American experience.

Themes

Identity and belongingForced labor and its lasting effectsDisplacement and communityAfrican-American experience in the twentieth century

Based on publisher information and book metadata.

Book overview

From the Pulitzer Prize-winning author of Fences comes Joe Turner's Come and Gone--Winner of the New York Drama Critics Circle Award for Best Play.

"The glow accompanying August Wilson's place in contemporary American theater is fixed."--Toni Morrison

When Harold Loomis arrives at a black Pittsburgh boardinghouse after seven years' impressed labor on Joe Turner's chain gang, he is a free man--in body. But the scars of his enslavement and a sense of inescapable alienation oppress his spirit still, and the seemingly hospitable rooming house seethes with tension and distrust in the presence of this tormented stranger. Loomis is looking for the wife he left behind, believing that she can help him reclaim his old identity. But through his encounters with the other residents he begins to realize that what he really seeks is his rightful place in a new world--and it will take more than the skill of the local "People Finder" to discover it.

This jazz-influenced drama is a moving narrative of African-American experience in the 20th century.
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