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James Barnor (Photofile)

by Christine Barthe

A compact survey of James Barnor’s photography across Ghana and Britain

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Paperback New English

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AlbakiReads Editorial

A compact survey of James Barnor’s photography across Ghana and Britain

This Photofile volume traces six decades of James Barnor’s work across Accra and London, bringing together photography made in street, studio, fashion, and documentary contexts. The selection places his portraits alongside major social shifts visible in the source material: Ghana’s independence from Britain and London’s cultural change during the 1960s. Barnor’s movement between the two cities gives the book a transnational frame, while its images address race, modernity, and post-colonial life through individual faces and public moments. As a concise monograph, it offers an introduction to the range of a photographer whose career connects portraiture with changing social histories.

Good fit for readers who enjoy

  • Readers interested in photography monographs and portraiture
  • Those exploring Ghanaian, British, and post-colonial visual history
  • Fans of fashion, studio, street, and documentary photography

Themes

PortraitureGhanaian independenceRace and modernityPost-colonial historyAccra and London

Based on publisher information and book metadata.

Book overview

With a practice spanning six decades and two continents, ranging from street to studio and fashion to documentary, Ghanaian photographer James Barnor (born 1929) is now recognized as a pivotal figure in the history of photography. Moving between Accra and London throughout his life, Barnor's photographic portraits visibly map societies in transition: Ghana gaining independence from Britain, and London embracing the freedoms of the swinging sixties. He has said, "I was lucky to be alive when things were happening . . . when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the sixties, so I call myself Lucky Jim."

Barnor's photographs have been described as "slices of history, documenting race and modernity in the post-colonial world," and he has been the subject of several major retrospectives over the last fifteen years. A concise survey in the Photofile series, James Barnor is the perfect overview of his multifaceted work.

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