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Indigenous Counterstories: Storytelling as Knowledge-Making

by Heather N. Hill

Indigenous storytelling as a way of making knowledge

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AlbakiReads Editorial

Indigenous storytelling as a way of making knowledge

This edited collection brings Indigenous counterstory into conversation with academic research and practice. Contributors use experiences from classrooms, workplaces, and personal histories to examine how storytelling can carry knowledge and offer accounts that challenge the silencing or distortion of Indigenous voices. The chapters take varied forms: one uses a composite character to explore tokenization in academic life, while another draws on a shared educational history to consider Indigenous-serving institutions through a podcast-style narrative. Together, these examples present counterstorytelling as both a subject of study and a method of inquiry.

Good fit for readers who enjoy

  • Students and scholars interested in Indigenous studies, literary criticism, or academic research methods
  • Readers exploring storytelling as a form of knowledge-making
  • Those interested in Indigenous experiences in educational and workplace settings

Themes

Indigenous counterstorytellingStorytelling and knowledge-makingRepresentation and tokenizationColonization and agencyIndigenous-serving institutions

Based on publisher information and book metadata.

Book overview

Stories have the power to unify, challenge, and heal. All too often, though, the stories of marginalized peoples are silenced or distorted by those in power. Counterstories, on the other hand, center the knowledge, experiences, and voices by presenting alternative accounts. Indigenous people have been telling stories as a teaching device for centuries, but this pathbreaking volume is the first collection to examine Indigenous counterstory as both a concept and practice.

Indigenous Counterstories features contributions by Indigenous scholars and allies. Using critical counterstory as their framework, the contributors share firsthand accounts from their classroom and workplace experiences to demonstrate how Indigenous storytelling is a knowledge-making enterprise. Chapters like A. Ellie Mitchell's "Homing In" feature a composite character and chronicles a day in the life of a new Anishinaabe academic that explores the tokenization of many academics from marginalized communities. In "Reclaiming Agency through Storytelling," Nicole Augustine draws on her personal history of intimate partners violence and being a Mi' kmaq woman to critique the patriarchal effects of colonization. Jacquetta Shade-Johnson and Catheryn Jennings, two Cherokee Nation scholars and friends, draw on their shared educational background as both students and educators to consider Indigenous-serving academic institutions framed through the narrative structure of a podcast episode.

In sharing their observations and experiences, the contributors to this volume employ experimental and nonlinear styles common to Indigenous storytelling. As a result, their chapters both exemplify and enhance our understanding of Indigenous counterstorytelling. Appealing to scholars and students alike, this innovative collection invites readers to embrace a more inclusive method of academic research and writing.

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