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If Emmett Till Lived: A Creative Monument

by Sarah Lewis

A photographic life imagined beyond 1955

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AlbakiReads Editorial

A photographic life imagined beyond 1955

More than 100 photographs from the Museum of Contemporary Photography’s permanent collection form a fictionalized account of the life Emmett Till might have lived had he returned home in 1955. Curated by writer and scholar Sarah Lewis, the collection connects glimpses of childhood with the adulthood denied to him, addressing the absence of images of Till beyond age 14. The book brings together photographs by artists from the 20th and 21st centuries to consider racialized violence, its effects across generations, and questions of freedom in American life.

Good fit for readers who enjoy

  • Readers interested in photography collections and museum-based projects.
  • Readers exploring Emmett Till’s legacy and the history of racial injustice in the United States.
  • Readers interested in photographic works that use imagined narratives to address historical absence.

Themes

Emmett Till’s life and legacyRacial injustice and violencePhotography and historical absenceFreedom in American life

Based on publisher information and book metadata.

Book overview

Meditating on the legacies of racial injustice in America: a photographic reimagining of Emmett Till's life had it not been cut short

Published with Museum of Contemporary Photography at Columbia College Chicago.

This book honors the life, death and legacy of Emmett Till through a kaleidoscope of 20th- and 21st-century photography. Both a reckoning with the past and a probing investigation into the current state of American life, If Emmett Till Lived presents a fictionalized narrative of the life Emmett Till might have lived had he returned home in 1955, rather than being murdered at the age of 14 while visiting family in Mississippi, a victim of the racial terror of Jim Crow rule. Curated by writer and scholar Sarah Lewis, the more than 100 photographs from dozens of artists are drawn from the permanent collection of the Museum of Contemporary Photography. Her selection of works recalls small but not insignificant moments in Till's childhood as well as larger themes from his life's unfulfilled promise. Collectively, Lewis' selections present a poetic and profound photographic account of quotidian moments from a childhood and adulthood unrealized. These photographs speak to the absence of images of Till's life beyond the age of 14. In filling that void, the exhibition more broadly addresses the lasting impact of racialized violence in the United States across generations, ultimately offering a framework for considering how freedom is secured on American ground.
Photographers include: Dawoud Bey, Keith Carter, Teju Cole, Bruce Davidson, An-My L

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