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How It Feels to Be Alive: Encounters with Art and Our Selves

by Megan O'Grady

Art as a way of seeing ourselves

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AlbakiReads Editorial

Art as a way of seeing ourselves

Megan O’Grady links encounters with five artworks to turning points in her own life, from adolescence and marriage to new parenthood. The book combines personal reflection with attention to the circumstances surrounding each work, sometimes drawing on conversations with the artists. Its scope also reaches beyond the individual: O’Grady considers how art can shape thought about personal, political, and ecological crises, and what it makes visible about the culture around us. The structure offers a focused route into questions about art’s influence on attention, imagination, connection, and the ways people make sense of uncertainty.

Good fit for readers who enjoy

  • Readers interested in art criticism that connects artworks with personal experience.
  • Readers seeking reflections on how art intersects with culture and public life.
  • Readers interested in the context and wider influence of individual artworks.

Themes

Art and personal identityArtworks in contextImagination and attentionPersonal and public crisesCulture and self-understanding

Based on publisher information and book metadata.

Book overview

A vital testament to how art makes us who we are--and offers new ways of seeing our world and our lives.

Barbara Kruger once defined art as the ability "to show and tell, through a kind of eloquent shorthand, how it feels to be alive." Testing that claim, Megan O'Grady takes us on a journey to explore art's intimate effects and how it might help us find clarity in an uncertain world.

When O'Grady was a teenager, she saw a photograph in a museum that changed her life. When she was at the end of an early marriage, art stoked new ways of thinking about connection and transformation. When she was a new parent, it guided her to confront vulnerability and shame. Whether she was seeking a home or contending with crises personal, political, and ecological, art was a critical lifeline, a source of beauty, solace, and provocation.

Looking closely at five artworks and the context in which each was made--and often drawing on personal conversations with the artists--O'Grady traces the works' rippling impacts, suggesting sometimes unexpected lineages and genres. How does art expand and redirect our imagination and attention? When bottom-line or nihilistic thinking dominates our public sphere, what meanings and alternatives does art offer?

A vital call to engage deeply, to see in new ways, and to consider all that we take for granted, How It Feels to Be Alive inspires and exhorts, providing a template for thinking through the knottiest problems in our culture and our selves, and the connections between the two.

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