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The Horror Theory Reader

by Jeffrey Andrew Weinstock

How horror’s appeal has been explained

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AlbakiReads Editorial

How horror’s appeal has been explained

This anthology traces explanations of horror’s appeal from antiquity to the present, centering on a long-standing puzzle: why seek out fear, dread, and disgust in art when these feelings are usually avoided? An opening introduction places horror’s history alongside moral panics, followed by three sections covering early theories of the genre, perspectives from writers, filmmakers, and scholars, and analyses of horror’s intersections with disability, queerness, race, and gender. The contributors include figures such as Aristotle, H. P. Lovecraft, Alfred Hitchcock, and Stephen King, alongside philosophers, literary and film scholars, and cultural critics. The collection brings together historical and contemporary approaches to horror as both an artistic form and a subject of cultural inquiry.

Good fit for readers who enjoy

  • Readers interested in literary and film criticism about horror and the supernatural.
  • Students or researchers exploring horror’s history, theories, and cultural intersections.
  • Horror enthusiasts curious about why frightening art attracts audiences.

Themes

The paradox of horrorHorror theory across historyMoral panicsDisability, queerness, race, and gender in horror

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Book overview

A comprehensive guide to the timeless, paradoxical appeal of horror


Why do we enjoy horror? The emotional responses the genre provokes--fear, dread, and disgust--are ones we typically seek to avoid, so what is the appeal of narratives and artistic representations that seek to scare, startle, shock, and repulse? In The Horror Theory Reader, Jeffrey Andrew Weinstock assembles theorizations of the genre's appeal from antiquity to the present day to explore the "paradox of horror" that has for millennia preoccupied theorists and consumers alike.

 

Beginning with an introduction situating the history of horror in the context of moral panics, this carefully curated volume then is organized into three sections that introduce early attempts to explain horror's fascination; present perspectives from horror writers, filmmakers, and scholars; and offer nuanced considerations of horror's intersections with disability, queerness, race, and gender. Featuring classic commentaries on the genre by H. P. Lovecraft, Alfred Hitchcock, and Stephen King alongside incisive essays by philosophers, literary and film scholars, cultural critics, and others, The Horror Theory Reader is indispensable for scholars and will be of interest to anyone curious about our paradoxical enjoyment of appalling and fearsome things.

 

Contributions by: Joseph Addison; Aristotle; Anna Letitia Barbauld; Dani Bethea; Edmund Burke; No

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