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Butô across generations and borders
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Butô across generations and borders
Bruce Baird’s history maps the development of butô through the performances and techniques of ten artists from its first and second generations. It includes figures such as Hijikata Tatsumi, Maro Akaji, Carlotta Ikeda, and Kobayashi Saga, and follows the form’s movement beyond Japan to France and other places. The account connects this dance and theater practice to questions raised by its choreographers and dancers about humans, technology, and new media, as well as gender and ethnicity in Japan, Europe, and elsewhere. Together, these threads place butô within the wider artistic and social conversations of the latter half of the twentieth century.
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