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Histories in Common: Native American Literatures, Extra Archives, and the Indigenous Transpacific

by Alyssa A. Hunziker

Reading Indigenous histories across the Pacific

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AlbakiReads Editorial

Reading Indigenous histories across the Pacific

Alyssa A. Hunziker connects U.S. colonial histories in North America with imperialism across the Pacific and Caribbean, bringing Native American, Hawaiian, Guamanian, Marshallese, and Philippine writing into a shared frame. Through novels, poems, and archival records, the book examines how contemporary Indigenous authors trace historical connections across these communities. It also considers the role of archives in shaping what counts as history: official records appear alongside literary “extra” archives—such as calendars, film, and unorganized notes—that can make overlooked histories legible. The study links questions of literary form with the politics of erasure and recognition.

Good fit for readers who enjoy

  • Readers of Indigenous literary criticism and contemporary Indigenous writing.
  • Readers interested in settler colonialism and U.S. imperial histories across the Pacific.
  • Readers studying archives, historical memory, and the relationship between literature and official records.

Themes

Indigenous transpacific connectionsSettler colonialism and imperialismArchives and historical memoryErasure and recognition in literary form

Based on publisher information and book metadata.

Book overview

Since its founding, the United States has colonized more than five hundred Indigenous nations in North America and dozens more in the Pacific and the Caribbean. Alyssa A. Hunziker considers how American imperialism in the Pacific--typically thought of as separate from the colonization of North America--is deeply intertwined with US settler colonialism. By examining novels, poems, and archival records, Hunziker analyzes literary convergences between global Indigenous communities, and uses an Indigenous transpacific methodology to examine how contemporary authors from Native America, Hawai'i, Guam, the Marshall Islands, and the Philippines reimagine and uncover their historical connections.

While the colonial archive has been discussed in both postcolonial and Indigenous studies, archives appear frequently in contemporary Indigenous fiction. Hunziker contends that Indigenous authors use literary form to emphasize seemingly peripheral, or "extra," histories that have been erased from official US records. Using literary archives--like a character's collection of calendars, a degrading film reel, or a discovery of unorganized notes--alongside discussions of institutional archives, the authors under discussion subvert Indigenous erasure by questioning how history is told, and which stories go unrecognized.

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