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The Historical Imaginary: Quebec National Cinema in the Twenty-First Century

by Amy J. Ransom

Quebec’s past on screen

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AlbakiReads Editorial

Quebec’s past on screen

Amy J. Ransom examines French-language fiction features from Quebec’s post-2000 film industry, focusing on films that construct images of the past. The book considers how these works revisit and revise historical material for contemporary audiences, and how they contribute to a shared “historical imaginary” through new sites of memory. Its subject is the relationship between cinema, historical representation, and Quebec’s national culture, set against the growth and genre range of the province’s film industry since 2000.

Good fit for readers who enjoy

  • Readers interested in Quebec cinema and national film traditions.
  • Readers exploring how films represent history and collective memory.
  • Students and scholars of Quebec cultural studies or film studies.

Themes

Quebec national cinemaHistorical representationCollective memoryFrench-language film

Based on publisher information and book metadata.

Book overview

Since the year 2000, Quebec's film industry has burgeoned with a parabolic increase in the number of films released and the production of a wide array of film genres. Building on the notion of 'Quebec national cinema' outlined by Bill Marshall, this book analyses French-language fiction features that construct images of the past.

Scholar of Quebec cultural studies, Amy J. Ransom, explains how the studied films participate in the nation's 'historical imaginary', revisiting and revisioning the past for present-day audiences and constructing new 'sites of memory' for twenty-first-century Qu

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