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From Hell

by Alan Moore

Jack the Ripper and Victorian London

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AlbakiReads Editorial

Jack the Ripper and Victorian London

Set in London at the close of the nineteenth century, From Hell frames the Whitechapel murders within a wider portrait of a city spanning East End alleys, Parliament, churches and occult circles. The account connects events leading up to the murders with the cover-up that followed, bringing crime fiction into contact with historical settings and horror. Its subject is not only the Ripper case, but also London on the threshold of the modern age, where institutions and shadowed corners share the same urban landscape.

Good fit for readers who enjoy

  • Adults interested in graphic novels centered on historical crime and Jack the Ripper.
  • Readers drawn to horror set in Victorian London.
  • Those interested in stories that connect a criminal case with political and social institutions.

Themes

Jack the Ripper and the Whitechapel murdersVictorian LondonCrime and cover-upHorror and the occult

Based on publisher information and book metadata.

Book overview

Alan Moore (Watchmen) and Eddie Campbell (Bacchus), grandmasters of the comics medium, present a book often ranked among the greatest graphic novels of all time: From Hell.

From the squalid alleys of the East End to the Houses of Parliament, from church naves to dens of the occult, all of London feels the uniquely irresistable blend of fascination, revulsion, and panic that the Ripper offers. The city teeters on the brink of the twentieth century, and only the slightest prodding is necessary to plunge it into a modern age of terror.

Moore and Campbell have created a gripping, hallucinatory piece of crime fiction about Jack the Ripper. Detailing the events that led up to the Whitechapel murders and the cover-up that followed, From Hell is a modern masterpiece of crime noir and historical fiction.
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