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Haudenosaunee: Portraits of the Firekeepers, the Onondaga Nation

by Toba Tucker

Onondaga Portraiture at the Turn of the Twenty-First Century

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Regular price $50.12 USD Sale price $30.07 USD
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Hardcover New English

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AlbakiReads Editorial

Onondaga Portraiture at the Turn of the Twenty-First Century

A photography collection centered on members of the Onondaga Nation in central New York, Haudenosaunee: Portraits of the Firekeepers pairs formal portraiture with the historical and cultural context named in its subtitle. Toba Pato Tucker uses a plain black backdrop and available daylight, placing attention on individual faces and presence rather than elaborate settings. The book records a late-twentieth-century moment shaped, in the author’s stated view, by efforts to maintain traditional ways of life and integrity amid the pressures of dominant culture. Its 132 pages offer a focused visual document within Tucker’s wider photographic work with Native communities.

Good fit for readers who enjoy

  • Readers interested in photographic portrait collections
  • Those exploring Onondaga and Haudenosaunee representation
  • Photography readers interested in studio-lighting and backdrop choices

Themes

Onondaga NationHaudenosaunee identityPortrait photographyCultural continuityNative representation

Based on publisher information and book metadata.

Book overview

Toba Pato Tucker, who has photographed the Navajo in the Southwest, the Shinnecock and Montauk Indians on eastern Long Island, and the Pueblo people of New Mexico and Arizona, now creates a record of the Onondaga Nation, the Native people who have inhabited the hills of central New York for fifteen thousand years.

Using a simple black backdrop and available daylight, her portraits show the timeless, contemplative images that reify the spirit that has maintained the Onondaga for centuries. Of her work Tucker has said, "Native Americans are an ancient people striving to retain their traditional way of life and integrity while confronting modern society and the dominant culture. I want to record them, for history and for art, at the end of the twentieth century."

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