Book overview
"I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.
A visual and verbal reworking of Herakles
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A visual and verbal reworking of Herakles
Anne Carson approaches Euripides’ tragedy through drawings and language, making the book both a response to an ancient play and an inquiry into its central moral question. Herakles returns from war to a domestic life he cannot inhabit, then commits a terrible act; the account also turns toward the possibility of redemption through his friend Theseus. Whether that possibility can stand after such violence is left for the reader to judge. The source’s closing reference to painter Anselm Kiefer’s view of landscape adds another point of reflection, linking the work’s concerns with violence to the idea that even a landscape may bear traces of harm.
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