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Green Fuse Burning

by Tiffany Morris

Art, grief, and the pull of the swamp

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AlbakiReads Editorial

Art, grief, and the pull of the swamp

After her estranged father’s death, artist Rita is left with unanswered questions about her family and her connection to Mi’kmaq language and culture. A week-long residency at an isolated cabin in the place where he grew up brings those questions into contact with a landscape that seems to intrude on her work: strange sounds, evasive locals, and visions rising from the lake and swamp. The horror premise is closely bound to Rita’s grief and artistic practice, while the swamp’s decay evokes a cycle in which endings and beginnings are intertwined.

Good fit for readers who enjoy

  • Readers interested in horror grounded in grief and family history.
  • Readers drawn to stories involving artistic practice and questions of cultural connection.
  • Readers who enjoy unsettling natural settings, including forests, lakes, and swamps.

Themes

Grief and regretFamily historyMi’kmaq language and cultural connectionArtistic expressionDecay and renewal

Based on publisher information and book metadata.

Book overview

After the death of her estranged father, artist Rita struggles with grief and regret. There was so much she wanted to ask him - about his childhood, their family, and the Mi'kmaq language and culture from which Rita feels disconnected. But when Rita's girlfriend Molly forges an artist's residency application on her behalf, winning Rita a week to paint at an isolated cabin, Rita is both furious and intrigued. The residency is located where her father grew up.

On the first night at the cabin, Rita wakes to strange sounds. Was that a body being dragged through the woods? When she questions the locals about the cabin's history, they are suspicious and unhelpful. Ignoring her unease, Rita gives in to dark visions that emanate from the forest's lake and the surrounding swamp. She feels its pull, channelling that energy into art like she's never painted before. But the uncanny visions become more insistent, more intrusive, and Rita discovers that in the swamp's decay the end of one life is sometimes the beginning of another.

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