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The Great Gatsby: Centennial Edition

by F. Scott Fitzgerald

A Jazz Age novel of wealth and aspiration

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AlbakiReads Editorial

A Jazz Age novel of wealth and aspiration

Set against the Jazz Age and the Roaring Twenties, F. Scott Fitzgerald’s novel examines the tensions between idealism and social hierarchy in a society shaped by privilege and wealth. Its portrayal of the American Dream is framed as a cautionary tale, with Gatsby’s hopes placed alongside the damage and disillusionment that surround them. The Centennial Edition presents the novel in paperback; the supplied description does not specify additional edition features.

Good fit for readers who enjoy

  • Readers interested in classic American literature and the Jazz Age.
  • Readers exploring literary treatments of wealth, privilege, and the American Dream.
  • Readers studying themes of social stigma and patriarchal norms in fiction.

Themes

The American DreamWealth and privilegeIdealism and disillusionmentSocial hierarchyPatriarchal norms

Based on publisher information and book metadata.

Book overview

The Centennial Edition of the Great Jazz Age Novel

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The Great Gatsby is considered F. Scott Fitzgerald's magnum opus, exploring themes of decadence, idealism, social stigmas, patriarchal norms, and the deleterious effects of unencumbered wealth in capitalistic society, set against the backdrop of the Jazz Age and the Roaring Twenties. At its heart, it's a cautionary tale, a revealing look into the darker side to the American Dream.

 

"When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction-Gatsby who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the "creative temperament"-it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No-Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men..."

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