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Forms of Worship: How Orisa Worship Became Religion in Nigeria and Brazil

by Ayodeji Ogunnaike

Rethinking Orisa Worship Across the Yoruba Diaspora

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AlbakiReads Editorial

Rethinking Orisa Worship Across the Yoruba Diaspora

Ayodeji Ogunnaike examines how oriṣa worship has been understood and reshaped in Nigeria and Brazil, questioning whether the Western category of “religion” captures these traditions. The book centers the Yoruba term ẹsin, which it presents as closer to “form of worship,” and uses that distinction to consider religious identity, practice, and interaction across historical and contemporary settings. It also traces a shift toward more bounded ideas of religious belonging, connecting that change, in Ogunnaike’s account, with tensions and fragmentation. The discussion brings Yoruba cultural dynamics—including religious harmony, syncretism, and exchange—into a broader inquiry about how inherited categories shape the study of religious life.

Good fit for readers who enjoy

  • Readers interested in Yoruba traditions and oriṣa worship in Nigeria and Brazil.
  • Readers studying African diaspora religion, religious identity, or syncretism.
  • Readers interested in how concepts of religion shape historical and contemporary practice.

Themes

Yoruba worship traditionsReligion and identityDiaspora and cultural exchangeSyncretism and religious interactionReligious boundaries and fragmentation

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Book overview

The worship of Yoruba deities known as oriṣa is commonly understood as an indigenous African religion, but Ayodeji Ogunnaike argues that these traditions initially differed from the modern Western concept of religion. In Forms of Worship, Ogunnaike analyzes how the configuration of oriṣa worship has changed across the Yoruba diaspora and homeland. As the meaning of the Yoruba word ẹsin, usually translated as "religion," is closer to "form of worship," he examines how reorienting understandings of oriṣa traditions as multiple forms of worship changes how religious identity, practice, and dynamics can be understood in contemporary and historical perspectives. By developing indigenous models for religious phenomena, Ogunnaike accounts for Yoruba cultural dynamics, including the high degree of religious harmony, syncretism, and interaction prevalent both in Nigeria and Brazil. Furthermore, he tracks the subtle and largely unperceived shift in oriṣa worship toward a more modern, closed, and rigid conception of religion and its resulting complications. Forms of Worship demonstrates how the advent of Western religious rigidity regarding practice and identity has led to rising religious tensions and fragmentation.
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