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Flashes of Brilliance: The Genius of Early Photography and How It Transformed Art, Science, and History

by Anika Burgess

Photography’s early experiments and new ways of seeing

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Awards & Recognition

  • Editorial selection

    One of The New Yorker's Best Books of the Year

    Included among The New Yorker's Best Books of the Year.

AlbakiReads Editorial

Photography’s early experiments and new ways of seeing

Spanning photography’s beginnings in the 1830s through the early twentieth century, Anika Burgess’s account connects the medium’s technical experiments with changes in art, science, and social history. The examples range from Anna Atkins’s cyanotypes and early photobook to images of places and phenomena difficult to see firsthand: catacombs, nighttime cities, ocean depths, animal motion, plant cells, and snowflake structures. Together, these subjects frame early photography as both a developing technology and a means of making unseen or unfamiliar parts of the world visible.

Good fit for readers who enjoy

  • Readers interested in the history of photography and its early technologies
  • Those curious about photography’s connections to art, science, and social history
  • Readers drawn to historical images of landscapes, natural forms, and scientific subjects

Themes

Early photographic innovationPhotography and scientific observationArt and visual cultureDocumenting the unseen

Based on publisher information and book metadata.

Book overview

Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous--and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

Writing with verve and an eye for compelling detail, Burgess explores how photographers uncovered new vistas, including catacombs, cities at night, the depths of the ocean, and the surface of the moon. She describes how photographers captured the world as never seen before, showing for the first time the bones of humans, the motion of animals, the cells of plants, and the structure of snowflakes. She takes us on a tour of astonishing innovations, including botanist Anna Atkins and her extraordinary blue-hued cyanotypes and the world's first photobook; Eadweard Muybridge and

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