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The Finding

by Dustin Beall Smith

A film project entangled with prophecy

Regular price $30.09 USD
Regular price $37.62 USD Sale price $30.09 USD
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AlbakiReads Editorial

A film project entangled with prophecy

Set in the summer of 1987, the novel follows veteran Hollywood filmmaker Henry Barnes as he develops a thriller about buried treasure. His interest in prophecy begins as material for the film, but the story’s setting moves closer to home as he encounters a Hopi prediction linking a treasure’s return with global calamity. Meanwhile, Barnes’s estrangement from his wife and his uncertainty about the future frame a story about the shifting boundary between creative work and lived experience. The film’s progress toward its shooting date gives that tension a concrete deadline, while fate and atonement shape the novel’s central concerns.

Good fit for readers who enjoy

  • Readers interested in fiction about Hollywood filmmaking and film production.
  • Readers drawn to stories that connect prophecy, fate, and a character’s personal life.
  • Readers interested in plots where a creative project and its creator’s reality become entangled.

Themes

Film production and creativityProphecy and fateArt and realityEstrangement and atonement

Based on publisher information and book metadata.

Book overview

The Finding is a gripping novel about one man's entanglement with prophecy, fate, and atonement.

It's the summer of 1987 and Henry Barnes, a veteran Hollywood film producer, director, and movie star, has embarked on a new project: a thriller with mystical overtones about buried treasure.Barnes is estranged from his beautiful wife Martha, an actress and dancer famous for her fiery personality. Living alone and contemplating his own future and the premise of his film, he's drawn to prophecy for dramatic purposes but unnerved by it, too. Led by fate to move the setting of his film incrementally closer to home, he becomes enmeshed in the Hopi prediction of a lost treasure's return and its signal of global calamity.As his film works its way through preproduction and nears its shooting date, Barnes finds himself increasingly unable to distinguish art from life, creativity from reality, and the world-ending prophecy at the heart of his film from his own headlong destiny.

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