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Fearing the Black Body: The Racial Origins of Fat Phobia

by Sabrina Strings

Tracing the racial history of fat stigma

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Awards & Recognition

  • Award recognition

    Winner, 2020 Body and Embodiment Best Publication Award (American Sociological Association)

    Winner of the 2020 Body and Embodiment Best Publication Award

AlbakiReads Editorial

Tracing the racial history of fat stigma

Sabrina Strings places contemporary stigma toward fat Black women in a history stretching from the Renaissance to the present. Drawing on art, periodicals, scientific writing, and medical journals, the book examines how ideas about fatness shifted and how they became entangled with race, class, and gender. Strings argues that anti-fat attitudes toward Black women took shape through racialized beliefs before obesity became a medical focus in the early twentieth century. The historical scope connects cultural representations with later medical discourse, framing slenderness as an ideal with a racial history rather than a neutral standard.

Good fit for readers who enjoy

  • Readers interested in Black studies and the history of race and gender.
  • Readers exploring the cultural history of body image and fat stigma.
  • Readers interested in how art, media, and medical writing shape social ideas.

Themes

Racialization of fatnessBlack women and body stigmaRace, class, and genderCultural and medical histories of the body

Based on publisher information and book metadata.

Book overview

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association

Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association

How the female body has been racialized for over two hundred years

There is an obesity epidemic in this country and poor Black women are particularly stigmatized as "diseased" and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago.

Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals--where fat bodies were once praised--showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of "savagery" and racial inferiority.

The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn't about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

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