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The Empty Space: A Book about the Theatre: Deadly, Holy, Rough, Immediate

by Peter Brook

Four ways of thinking about theatre

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AlbakiReads Editorial

Four ways of thinking about theatre

Peter Brook frames theatre through four contrasting categories—“Deadly, Holy, Rough, Immediate”—and uses them to examine what happens between performers, performance, and audience. The discussion ranges across twentieth-century developments, including Stanislavsky, Method Acting, Brecht’s alienation technique, and the Happenings of the 1960s. Brook also brings in examples from Shakespearean acting and an impromptu postwar performance in Hamburg, connecting broad shifts in theatrical practice with particular stage experiences. The book combines historical reference points with reflection on how performances are made and how theatre can challenge conventions and illusions.

Good fit for readers who enjoy

  • Theatre practitioners interested in questions of performance and stage-making
  • Readers exploring twentieth-century theatre history and major theatrical approaches
  • Those interested in Peter Brook’s reflections on theatre and Shakespearean acting

Themes

Theatre and performanceTwentieth-century theatrical movementsStage practice and conventionThe relationship between performance and audience

Based on publisher information and book metadata.

Book overview

A timeless classic on the art of theatre from the most influential stage director of the twentieth century.In this seminal and iconoclastic book, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Along the way, Brook provides theatre-makers with an indispensable guide to creating exhilarating and fresh performances. Passionate, unconventional, and fascinating, The Empty Space shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.
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