A history of dub from Jamaican studios outward
Tracing dub’s emergence from reggae in Jamaica in the late 1960s and early 1970s, Helmut Philipps’s book examines the recording-studio techniques that helped define the genre and their wider influence on music production. Its approach combines historical account with analysis, essays, and conversations involving figures such as King Tubby, Lee Perry, King Jammy, and Scientist. The scope also extends to dub’s development in Europe, the UK, and the United States. More than 200 illustrations, including rare album covers, accompany the text, while sections on soundsystems, engineers and studios, and a discography add reference points to the historical narrative.
Good fit for readers who enjoy
- People interested in Jamaican music history and reggae’s offshoots
- Readers curious about studio production, remix practices, and soundsystems
- Those seeking interviews and visual material alongside music history
Themes
Jamaican dub and reggaeRecording studios and production techniquesMusic’s international developmentArtists, engineers, and soundsystems
Based on publisher information and book metadata.