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Dolly Parton, Gender, and Country Music

by Leigh H. Edwards

Dolly Parton’s Persona as a Lens on Gender and Country Music

Regular price $21.57 USD
Regular price $28.76 USD Sale price $21.57 USD
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Paperback New English

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Print BookCurrently viewing Paperback $21.57 USD$28.76 USD
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AlbakiReads Editorial

Dolly Parton’s Persona as a Lens on Gender and Country Music

Leigh H. Edwards examines Dolly Parton’s public image as a constructed, multilayered performance shaped by apparent contradictions: the “innocent mountain girl,” the overtly sexualized star, and a celebrity presented as both authentic and artificial. Across Parton’s music, stories, stage presence, visual imagery, and work in film, publishing, philanthropy, and business, the book considers how gender is negotiated within country music. It places Parton’s career in conversation with the genre’s traditions and its recurring claims of authenticity, showing how her persona opens questions about femininity, celebrity, and popular culture.

Good fit for readers who enjoy

  • Readers interested in Dolly Parton’s career and public persona
  • Students of country music, gender, and celebrity studies
  • Fans of cultural criticism focused on American popular music

Themes

Gender performanceCountry music and authenticityCelebrity personaFemininity in popular cultureDolly Parton’s career

Based on publisher information and book metadata.

Book overview

Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes--the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly's media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly's roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly's gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.

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