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Dolly Parton, Gender, and Country Music

by Leigh H. Edwards

Dolly Parton’s Public Image as Country Music Critique

Regular price $82.05 USD
Regular price $82.05 USD Sale price $82.05 USD

Hardcover New English

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AlbakiReads Editorial

Dolly Parton’s Public Image as Country Music Critique

Leigh H. Edwards examines Dolly Parton’s celebrity persona through the competing images that shape it: the innocent mountain girl and the overtly glamorous sex symbol. The book considers how Parton’s songs, anecdotes, performances, and visual presentation contribute to a deliberately layered public identity. Extending beyond her recording career, Edwards addresses Parton’s work as an actor, author, philanthropist, and entrepreneur. This framework places Parton within broader questions of femininity, gender subversion, and authenticity in country music, a genre often associated with traditional American values. The study presents Parton’s self-conscious play between “real” and “fake” as a way to reconsider how country stardom is constructed.

Good fit for readers who enjoy

  • Readers interested in Dolly Parton’s career and public persona
  • Students of country music, popular culture, and celebrity
  • Readers exploring gender and femininity in American music

Themes

Dolly PartonGender and femininityCountry musicCelebrity personaAuthenticity

Based on publisher information and book metadata.

Book overview

Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes--the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly's media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly's roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly's gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.

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