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Digital Performance Right in Sound Recordings Act of 1995

by United States Congress House Commi

Congressional hearings on digital music rights

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AlbakiReads Editorial

Congressional hearings on digital music rights

This volume brings together House Judiciary Subcommittee hearings from the 104th Congress, First Session, concerning H.R. 1506, the Digital Performance Right in Sound Recordings Act of 1995. Testimony and discussion address how digital transmission of sound recordings raised legal and economic questions for copyright and the music industry. As a record of those proceedings, the book documents a particular moment in the development of intellectual-property debates around new technology; it is not presented as a guide to current law. The edition reproduces a historical artifact, and the source notes that copies may include original annotations, blurred or missing pages, and other reproduction imperfections.

Good fit for readers who enjoy

  • Legal scholars and students researching copyright history
  • Music industry professionals interested in the history of digital performance rights
  • Readers studying congressional hearings and technology-related law

Themes

Copyright and intellectual propertyDigital transmission of sound recordingsMusic industry economicsCongressional hearings and legal history

Based on publisher information and book metadata.

Book overview

This volume contains the hearings before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, regarding H.R. 1506, the "Digital Performance Right in Sound Recordings Act of 1995." These hearings, held during the One Hundred Fourth Congress, First Session, delve into the complexities of performance rights in the digital age and their implications for the music industry and copyright law.

The testimony and discussions within these pages offer a detailed look at the legal and economic considerations surrounding the digital transmission of sound recordings. This historical record provides valuable insights for legal scholars, music industry professionals, and anyone interested in the evolution of intellectual property law in response to technological advancements.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


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