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Dictee

by Theresa Hak Kyung Cha

Women’s histories, memory, and dislocation

Regular price $20.78 USD
Regular price $34.64 USD Sale price $20.78 USD
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AlbakiReads Editorial

Women’s histories, memory, and dislocation

Theresa Hak Kyung Cha brings several women’s lives into relation, including Korean revolutionary Yu Guan Soon, Joan of Arc, the figures of Demeter and Persephone, Cha’s mother, and the author herself. Organized in nine parts around the Greek Muses, *Dictee* combines documents, images, varied forms of address, and inquiry. Its restored edition reproduces the original cover and interior layout, underscoring the book’s visual form alongside its connections among personal history, displacement, and fragmented memory.

Good fit for readers who enjoy

  • Readers interested in modern Asian American literature and experimental literary works.
  • Readers exploring women’s histories, Korean history, or the intersections of personal and collective memory.
  • Readers who value books that combine text, documents, and images.

Themes

Dislocation and exileFragmented memoryWomen’s historiesKorean identity and historyText and visual form

Based on publisher information and book metadata.

Book overview

Newly restored, this version of Theresa Hak Kyung Cha's masterpiece honors the author's original intentions and vision for the book. Originally published in 1982, Dictee is a classic of modern Asian American literature.

Dictee is the best-known work of the multidisciplinary Korean American artist Theresa Hak Kyung Cha.

This restored edition, produced in partnership with the Berkeley Art Museum and Pacific Film Archive (BAMPFA), reflects Cha's original vision for the book as an art object in its authentic form, featuring:
  • The original cover
  • High-quality reproductions of the interior layout

Dictee tells the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha's mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself.

This dynamic autobiography:
  • Structures the story in nine parts around the Greek Muses
  • Deploys a variety of texts, documents, images, and forms of address and inquiry
  • Links the women's stories to explore the trauma of dislocation and the fragmentation of memory it causes

The result is an enduringly powerful, beautiful, unparalleled work.
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