Book overview
"A razor-sharp historical noir that doesn't pull any punches." --Alex Segura, bestselling author of Alter Ego and Secret Identity
A Chicano noir retelling of the Sleepy Lagoon Murder Trial and the Zoot Suit Riots during 1943 wartime Los Angeles, Death to Pachuco is an untold story lost from the American history books.
During the summer of 1943, Los Angeles became a hotbed of tension and conflict as a series of fierce clashes erupted between U.S. Navy members and Mexican American youth stemming from the murder of Carlos Urbano. Private eye Ricardo "Ricky" Tellez needs to find the Sleep Lagoon Killer before the racist mob kills him in the Zoot Suit Riots.
The clock is ticking--and it's a bad time to be a Mexican.
From the author of the critically acclaimed Latinx Top Cow series La Voz De M.A.Y.O, and Helm Greycastle returns with a thrilling graphic novel, perfect for fans of true crime noir.
Collects DEATH TO PACHUCO #1-5, a facsimile of THE SLEEPY LAGOON CASE rare pamphlet published in 1943 with a foreword by the legendary Orson Welles, and an afterword by award-winning journalist Jazmine Ulloa (El Paso).
A Chicano noir retelling of the Sleepy Lagoon Murder Trial and the Zoot Suit Riots during 1943 wartime Los Angeles, Death to Pachuco is an untold story lost from the American history books.
During the summer of 1943, Los Angeles became a hotbed of tension and conflict as a series of fierce clashes erupted between U.S. Navy members and Mexican American youth stemming from the murder of Carlos Urbano. Private eye Ricardo "Ricky" Tellez needs to find the Sleep Lagoon Killer before the racist mob kills him in the Zoot Suit Riots.
The clock is ticking--and it's a bad time to be a Mexican.
From the author of the critically acclaimed Latinx Top Cow series La Voz De M.A.Y.O, and Helm Greycastle returns with a thrilling graphic novel, perfect for fans of true crime noir.
Collects DEATH TO PACHUCO #1-5, a facsimile of THE SLEEPY LAGOON CASE rare pamphlet published in 1943 with a foreword by the legendary Orson Welles, and an afterword by award-winning journalist Jazmine Ulloa (El Paso).
