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The Danse Macabre: Celebration and Survival in New Orleans

by Cheryl Gerber

A street-level portrait of New Orleans in all its contradictions

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Paperback New English

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AlbakiReads Editorial

A street-level portrait of New Orleans in all its contradictions

Cheryl Gerber’s photographic collection assembles a wide-ranging portrait of New Orleans culture, placing public celebration alongside the social realities that shape daily life in the city. Images of Mardi Gras, Jazz Fest, second lines, religious observance, and satirical self-expression sit beside depictions of homelessness, crime, and racism. The book’s central tension lies in these crossings: sacred traditions and secular revelry, Catholic and Voodoo practices, public humor and disaster, prominent figures and ordinary residents. Framed through street photography, The Danse Macabre presents New Orleans as an active presence in its own cultural collisions—not simply a setting for them.

Good fit for readers who enjoy

  • Readers interested in street photography and documentary images
  • Anyone exploring New Orleans traditions, festivals, and public culture
  • Readers seeking visual studies of celebration alongside social inequality

Themes

New Orleans cultureStreet photographyCelebration and mortalityReligion and secular lifeSocial inequality

Based on publisher information and book metadata.

Book overview

New Orleans is a city of contradictions: comic and tragic, sacred and secular, profound and profane; steeped heavily in tradition and religion yet drenched in decadence and debauchery. The Danse Macabre reveals the city's rebellious and humorous spirit, which celebrates life in the face of disaster and death.

In this street-level tableau of New Orleans culture, photographer Cheryl Gerber portrays the city's rich and famous while paying homage to the everyday people who make life so special in her hometown. Colorful shots of Mardi Gras, Jazz Fest, second lines, and other iconic arrays of New Orleans culture are juxtaposed with images of the homelessness, crime, and racism that are equally central to life in the Crescent City. Within these pages we find Southern Decadence revelers clashing with religious protesters, Catholic traditions merging with Voodoo, and New Orleanians from all walks of life expressing themselves through satire and parody. In short, we witness the city not only as a backdrop to cataclysmic confrontations, but also as a force that rouses them.

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