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Curriculum Philosophy and Theory for Music Education PRAXIS

by Thomas A. Regelski

A curriculum-centered framework for music education

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Paperback New English

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AlbakiReads Editorial

A curriculum-centered framework for music education

Regelski places curriculum design at the center of music teaching, treating it as the process that defines not only musical skills but also the knowledge, values, and educational outcomes a program prioritizes. The book connects longstanding philosophical foundations of curriculum to contemporary music-education practice, while addressing the public and institutional contexts in which school programs operate. Its practical overview culminates in a model curriculum informed by praxis theory, presenting music education in terms of benefits that can be articulated to students, school leaders, and program funders.

Good fit for readers who enjoy

  • Music educators examining curriculum planning beyond individual lessons
  • Teacher-education students studying philosophy and foundations of music education
  • School music professionals seeking a praxis-oriented curriculum model

Themes

Music education curriculumCurriculum philosophyPraxis theoryEducational outcomesMusic program advocacy

Based on publisher information and book metadata.

Book overview

Curriculum decisions are the foundation of education. They determine the knowledge, understandings, skills, attitudes, and values deemed necessary for today's students. Beyond musical competencies, a curriculum is, therefore, the most important responsibility facing music educators--one that goes well beyond the skills of simply delivering an individual lesson and accounts for beneficial outcomes for individual students, graduates, and ultimately the world of musicing.

Oddly, however, curriculum theory and design for music education have been left to the sidelines in undergraduate music education. And it is usually no more on the radar of in-service teachers, despite the fact that the U.S. politics governing school curriculum are constantly in public view (e.g., U.S. "No child left behind," "Common Core"). Curriculum Philosophy and Theory for Music Education Praxis remedies this with a practical overview of curriculum basics and their implications for music education. Mindful of traditional philosophical roots of curriculum-foundations that still impact contemporary strategy, author Thomas A. Regelski offers a model curriculum based on recent praxis theory in which musical and educational benefits are evident to students, administrators, and taxpayers who ultimately fund music programs.
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