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The Cultural Cold War: The CIA and the World of Arts and Letters

by Frances Stonor Saunders

Culture as a Cold War instrument

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Awards & Recognition

  • Critical praise

    Praise from The New York Times

    Described as the most comprehensive account yet of the CIA's activities between 1947 and 1967.

AlbakiReads Editorial

Culture as a Cold War instrument

Frances Stonor Saunders examines the intersection of cultural life and intelligence operations during the Cold War. Drawing on declassified documents and interviews, the book describes a covert CIA campaign that supported or involved Western intellectuals and artists, sometimes without their knowledge. Its scope includes cultural interventions in Western Europe and the United States, placing debates over freedom of expression alongside the political aims of the period. A new preface accompanies this edition, which offers a historical account of how art and ideas became part of Cold War strategy.

Good fit for readers who enjoy

  • Readers interested in Cold War history and intelligence operations
  • Readers exploring the relationship between art, politics, and cultural institutions
  • Readers interested in postwar intellectual history

Themes

Cold War cultural diplomacyCIA covert operationsFreedom of expressionArt and political influence

Based on publisher information and book metadata.

Book overview

During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession--but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA--whether they knew it or not.

Called "the most comprehensive account yet of the [CIA's] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA's undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA's astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work--now with a new preface by the author--is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
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