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The Crucible

by Arthur Miller

Accusation and authority in Salem

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Paperback New English

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AlbakiReads Editorial

Accusation and authority in Salem

Set amid the witch trials of seventeenth-century Salem, Arthur Miller’s play traces how a charge of witchcraft draws a community’s fears into the courtroom. The accusation against Elizabeth Proctor and the neighbors’ willingness to testify against one another show how suspicion can become a tool of social and religious authority. Written in 1953, the drama also reflects the anti-communist climate of McCarthy-era America, linking Salem’s proceedings to a broader examination of political persecution. Its historical setting and later political context make the play a study of how claims to moral certainty can sanction coercion.

Good fit for readers who enjoy

  • Readers interested in American drama and historical settings.
  • Readers exploring mass hysteria, political persecution, or the McCarthy era.
  • Students of plays that connect historical events with political themes.

Themes

Mass hysteria and groupthinkPolitical persecutionReligious authoritySocially sanctioned violence

Based on publisher information and book metadata.

Book overview

A haunting examination of groupthink and mass hysteria in a rural community

The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft--and then when those accusations multiply to consume the entire village.

First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can.

"A drama of emotional power and impact" --New York Post
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