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The Country Music Reader

by Travis D. Stimeling Publisher: OXFORD UNIV PR

A documentary history of country music in its own voices

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Paperback New English

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AlbakiReads Editorial

A documentary history of country music in its own voices

Travis D. Stimeling assembles primary documents that chart country music’s development from early fiddle contests and ballad collecting to contemporary forms. Newspapers, magazines, fan newsletters, trade publications, and artist biographies place performers, songwriters, industry figures, critics, and fans in dialogue. Each selection is situated in its musical and cultural moment, making the collection useful not only as a chronology but also as a record of changing debates around country music’s place in American culture and the music business. The anthology foregrounds the material through which the genre has been discussed, promoted, contested, and remembered.

Good fit for readers who enjoy

  • Country music fans interested in the genre’s historical record
  • Students of American popular music and music history
  • Researchers seeking primary sources on country music culture and industry

Themes

Country music historyPrimary-source documentsAmerican popular cultureMusic industryFans, artists, and criticism

Based on publisher information and book metadata.

Book overview

In The Country Music Reader Travis D. Stimeling provides an anthology of primary source readings from newspapers, magazines, and fan ephemera encompassing the history of country music from circa 1900 to the present. Presenting conversations that have shaped historical understandings of country music, it brings the voices of country artists and songwriters, music industry insiders, critics, and fans together in a vibrant conversation about a widely loved yet seldom studied genre of American popular music. Situating each source chronologically within its specific musical or cultural context, Stimeling traces the history of country music from the fiddle contests and ballad collections of the late nineteenth and early twentieth centuries through the most recent developments in contemporary country music. Drawing from a vast array of sources including popular magazines, fan newsletters, trade publications, and artist biographies, The Country Music Reader offers firsthand insight into the changing role of country music within both the music industry and American musical culture, and presents a rich resource for university students, popular music scholars, and country music fans alike.
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