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Copy Machine Manifestos: Artists Who Make Zines

by Branden W. Joseph

Artists’ zines in the visual arts

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AlbakiReads Editorial

Artists’ zines in the visual arts

Spanning North American artists’ zines from 1970 onward, this illustrated volume places the medium in a broader visual-art history. Hundreds of covers and interior pages sit alongside work in painting, photography, film, video, and performance, showing how zines connect to practices across media. Brief biographies introduce more than 100 makers, while the book also attends to zines’ role in community building and in reshaping material and conceptual approaches to art. Its combination of historical framing, visual examples, and artist profiles makes the book both a survey of a particular form and a record of its intersections with wider artistic practice.

Good fit for readers who enjoy

  • Readers interested in the history of artists’ zines in North America.
  • Art students and researchers exploring connections among zines and other media.
  • Readers seeking illustrated artist profiles and examples of zine covers and interiors.

Themes

Artists’ zinesNorth American art since 1970Community buildingCross-media artistic practice

Based on publisher information and book metadata.

Book overview

'Excellent.' - The New Yorker

The first publication dedicated to artists' zines in North America, a revelatory exploration of an unexamined but thriving aesthetic practice

Copy Machine Manifestos captures the rich history of artists' zines as never before, placing them in the lineage of the visual arts and exploring their vibrant growth over the past five decades.

Fully illustrated with hundreds of zine covers and interiors, alongside work in other media, such as painting, photography, film, video, and performance, the book also features brief biographies for more than 100 zine-makers including Beverly Buchanan, Mark Gonzales, G.B. Jones, Miranda July, Bruce LaBruce, Terence Koh, LTTR, Ari Marcopoulos, Mark Morrisroe, Raymond Pettibon, Brontez Purnell, Paul Mpagi Sepuya, and Kandis Williams.

Accompanying a major exhibition at the Brooklyn Museum, this expansive book, bound as a paperback with a separate jacket, focuses on zines from North America, celebrating how artists have harnessed the medium's essential role in community building and transforming material and conceptual approaches to making art across all media since 1970.
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