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Colour matters: Exploring Chromatic Materialities in the Long Nineteenth Century (1798-1914)

by Stefano Evangelista

Colour as material, science, and social force

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AlbakiReads Editorial

Colour as material, science, and social force

Fourteen essays examine how colour operated across the long nineteenth century, from synthetic dyes and chrome pigments to its roles in medicine, gender, empire, and identity. The collection brings art history into conversation with literature, anthropology, science, and conservation, treating colour not only as a visual feature but as a material and sensory subject. Its wide scope connects experimentation with pigments and perception to broader changes in aesthetics, technology, and social life between 1798 and 1914.

Good fit for readers who enjoy

  • Students and scholars of art history, literature, cultural studies, or the history of science
  • Curators and conservators interested in colour and material culture
  • Readers exploring the history of pigments, perception, and colour

Themes

Colour and material culturePigments and synthetic dyesMedicine, gender, empire, and identityArt, science, and social life

Based on publisher information and book metadata.

Book overview

Colour Matters provides a fresh investigation of colour in the long nineteenth century. Across fourteen richly researched essays, the book explores the materiality, politics, and sensory experience of colour-from synthetic dyes and chrome pigments to the role of colour in medicine, gender, empire, and identity. By weaving together art history, literature, anthropology, science, and conservation, the contributors reveal a dynamic world where chromatic experimentation shaped aesthetics, technology, and social life. Colour Matters offers an essential contribution to colour studies and the humanities' material turn, showing how pigment and perception illuminate both past and present.This book will appeal to scholars and students of art history, literature, cultural studies, and the history of science in the long eighteenth-century, as well as curators, conservators, and readers fascinated by the histories of colour and material culture.
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