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Codices Illustres. the World's Most Famous Illuminated Manuscripts 400 to 1600

by Ingo F. Walther

Illuminated manuscripts across cultures and centuries

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AlbakiReads Editorial

Illuminated manuscripts across cultures and centuries

Spanning the 4th century to 1600, this art book brings together 167 illuminated manuscripts, from the Book of Kells and the Vienna Genesis to works associated with Boccaccio and Dante. Large-format reproductions place miniature painting and manuscript decoration at the center, while examples from Mexican, Persian, and Indian traditions extend the collection beyond its primary focus on Europe. Brief synopses introduce each manuscript; an appendix adds artist biographies, a bibliography, an index, and a glossary of technical terms. The book offers both visual material and reference features for exploring the history and variety of manuscript illumination.

Good fit for readers who enjoy

  • Readers interested in medieval art and the history of bookmaking.
  • Those who want to explore manuscript illumination through large-format reproductions.
  • Readers seeking an illustrated reference with synopses and research aids.

Themes

Medieval manuscript illuminationMiniature paintingArt across European and non-European traditionsHistorical manuscripts and their artists

Based on publisher information and book metadata.

Book overview

From The Book of Kells to Boccaccio's Decameron, from the Vienna Genesis to Dante's Divine Comedy: to open Codices illustres is to open the door into a precious, private world. Now in a revised format, this radiant book brings you face-to-face with 167 of the most exquisite and important manuscripts of the medieval age.

Presented in brilliant large-format reproductions, these paradigms of miniature painting and illumination from the 4th century to 1600 were once the property of some of the greatest power players in history. Now art-historical treasures, they are worth many millions and typically tucked away inprivate collections or closely guarded archives--until now.

Although the focus of this collection is on European manuscripts, examples from Mexican, Persian, and Indian tradition illustrate the refinement and intricacy of manuscript illumination in non-European cultures. An informative synopsis for each manuscript orients the reader at a glance, while a 36-page appendix contains biographies of the artists, as well as an extensive bibliography, an index, and a glossary for technical terms.

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