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Claes Oldenburg and Coosje van Bruggen: Kansas City's Shuttlecocks

by Edward J. Olszewski

A public artwork and the debate around it

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AlbakiReads Editorial

A public artwork and the debate around it

Edward J. Olszewski examines the commission of Claes Oldenburg and Coosje van Bruggen’s Shuttlecocks for a major art museum and public setting, tracing the project’s vicissitudes and the controversy it provoked. The account connects the reception of a specific work with broader questions: how modern art is understood, how conflicts over public art are addressed, and how collaborative artists approach creative decisions. Its focus on both the commission and efforts to explain a misunderstood work gives the book a place between an account of a particular public-art project and a discussion of interpretation and artistic collaboration.

Good fit for readers who enjoy

  • Readers interested in public art and its reception
  • Those studying modern sculpture or collaborative artistic practice
  • Readers seeking an art-historical account of a specific commission

Themes

Public art and controversyModern art and interpretationArtistic collaborationThe commissioning process

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Book overview

Claes Olderburg and Coosje van Bruggen: Kansas City's Shuttlecocks is a study of the commission and vicissitudes of a project by the world-renowned sculptors Claes Oldenburg and Coosje van Bruggen for a major art museum and a public setting. The controversy that the commission initiated presented a challenge to explain a misunderstood work of art in an attempt to confirm the rightness of its acceptance. It is important for the reader to appreciate how artists resolve conflicts, how modern art functions, and to understand something of the cognitive issues undertaken by collaborative artists in the creative process.

About the Author

The author, a native of Detroit, retired as Emeritus Professor Art History at Case Western Reserve University 2010. He pursued graduate degrees at the University of Illinois (chemistry) and the University of Minnesota (art history). He is the award-winning author of more than a dozen books on such topics as Italian Renaissance art treatises, Master Drawings, Vatican tomb sculpture, late Baroque Roman architecture, and scores of wide-ranging scholarly articles and reviews on the sculpture of Praxiteles, Donatello and Pollaiuolo, Michelangelo's drawings, Italian Mannerist architecture, caricature drawings, Goya's portraits and Black Paintings, drawings by Degas, and Picasso's Blue Period. He is completing a critical study and translation of Giulio Mancini's "Considerazioni sulla pittura" of 1621, and a project involving infrared reflectance spectroscopy and X-radiation studies of easel paintings by Raphael.

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