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The Chief of Birds: A Memoir

by Michael Templeton

A memoir of addiction and the uncertain work of return

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Awards & Recognition

  • Critical praise

    Praise from Alex Johns, Associate Professor of English

    Praise for the memoir describing it as a courageous examination of addiction, identity, and the human condition.

AlbakiReads Editorial

A memoir of addiction and the uncertain work of return

Michael Templeton’s memoir brings addiction and incarceration into an account of trying to return from the brink of destruction. Its central tension is recovery as a fragile re-emergence of self, not a settled destination: the description frames that self as one that only “passes for recovery.” Quotations from Samuel Beckett, Maurice Blanchot, and others enter where the author describes himself as silenced, connecting the personal account with questions of identity, language, and how a life is understood. The result, as presented, is a memoir that holds the experience of recovery alongside doubt about what it means to regain a sense of self.

Good fit for readers who enjoy

  • Readers interested in memoirs about addiction, incarceration, and recovery.
  • Readers curious about connections between personal experience, identity, and philosophy.
  • Readers interested in a memoir that incorporates quotations from literary and philosophical writers.

Themes

Addiction and recoveryIncarcerationIdentity and selfhoodLanguage and silence

Based on publisher information and book metadata.

Book overview

"Having the past shattered into a present that is meaningless, the future becomes nothing at all."

 

The Chief of Birds is a memoir of addiction, incarceration, and return from the brink of destruction. Allowing quotations from Samuel Beckett, Maurice Blanchot, and others to speak where the author has been silenced, it charts the fragile re-emergence of a self that passes for recovery.

 

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"Imagine Rousseau's Confessions written by a monster in chains. Templeton takes us on a harrowing inner journey from the depths of extreme addiction through a strange transformation, but his is not some simple, uplifting recovery or sobriety narrative. To hell with platitudes and magical thinking. From the haunting confines of suicidal alcoholism in "The Room," through the long autopsy on his identity in "The House," Templeton's metacognitive ordeal unfolds in kinship with Samuel Beckett's bleak minimalism. His sharp, courageous pursuit for authentic identity tears the thin membranes between social institutions, language, and one's narrativized self. Like Joker in Full-Metal Jacket, the narrator, "a demon slipping and sneaking from word to word," guards at great risk the illusive, dim light of honesty of an authenticity while navigating the iron-clad principles of AA. A courageously relentless examination of the human condition, this memoir is as much a theory of mind as a story of breaking free from the deadly grip of addiction." -- Alex Johns, Associate Professor of English, University of North Georgia

 

"As a frequent "monster of the solitudes" and former 12-Step reacher, regurgitator, wrestler, repudiator and reject, I feel gratitude for Mike Templeton's fresh approach to the "Recovery" industry gerbil wheel in his meta-memoir The Chief of Birds, a volume I find reminiscent, in ways, of Dostoevsky's Notes from the Underground, albeit from a further evolved 21st century American erstwhile cog-in-the-machine vantage point. Higher Power pshaw. Hop off the wheel. Get out from between the teeth. Read this book. Save yourself." -- John Burroughs, 2022-23 U.S. Beat Poet Laureate and author of The Wrest of the Worthwhile

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