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Cecil Beaton: The Royal Portraits

by Cecil Beaton

Cecil Beaton’s construction of the royal image

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Hardcover New English

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AlbakiReads Editorial

Cecil Beaton’s construction of the royal image

Spanning the 1930s through the 1970s, this chronologically organized photographic study examines Cecil Beaton’s portraits of the British royal family as both images and carefully staged encounters. Four chapters pair introductory essays with extensively captioned plates and close examinations of selected sittings. Contact sheets, test images, outtakes, sketches, correspondence, journals, and tear sheets broaden the focus beyond the finished portrait, documenting Beaton’s working process, his collaborations with royal sitters, and the public presentation of the House of Windsor. Drawing on the Victoria and Albert Museum’s Beaton collection, the volume places portrait photography in conversation with celebrity, institution, and the boundary between private life and public image.

Good fit for readers who enjoy

  • Readers interested in Cecil Beaton and twentieth-century portrait photography
  • Those curious about British royal visual history
  • Photography enthusiasts interested in archival materials and photographic process

Themes

Royal portraiturePublic imageBritish monarchyPhotographic processArchival materials

Based on publisher information and book metadata.

Book overview

Cecil Beaton: The Royal Portraits looks back in time to tell a very modern tale: the creation of a public image. Offering a fresh appraisal of Beaton's portraits of the British royal family, the book explores not only the finished images but also the sittings in which they were created, revealing Beaton's central role in shaping the public face of the House of Windsor and the ways in which he collaborated with his subjects.

Organized chronologically, from the 1930s to the 1970s, each of the book's four chapters comprises an introductory essay, plates with extended captions, and one or two in-depth analyses of a particular sitting. Throughout, a variety of contextual material--contact sheets, test shots, outtakes, sketches, letters, journals, tear sheets--helps build a detailed picture of Beaton's methods, the relationships he developed with his sitters, and how the portraits were received.

Drawing on the Victoria and Albert Museum's unparalleled collection of Beaton's photographs, this volume will appeal not only to those interested in the photographer and his work, but also to anyone for whom the distinction between the private world and the public face of the royal family remains a source of fascination.

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