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Camera Man's Journey

by Julian Anthony Dimock

Photographs of Black life in early-twentieth-century South Carolina

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Hardcover New English

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AlbakiReads Editorial

Photographs of Black life in early-twentieth-century South Carolina

Drawn from photographs made in 1904–5, this volume gathers 150 images of African American life in and around Columbia, Beaufort, and Hilton Head, South Carolina. Its scenes move between spaces shaped by racial custom and more separate Black neighborhoods and rural areas, placing everyday work, family care, and local trades against the realities of segregation and disenfranchisement. Peddlers, barbers, apprentices, women, and children appear in moments of ordinary activity, giving the collection a social and regional frame as well as a photographic one. The book offers a focused visual record of a particular South Carolina landscape and period.

Good fit for readers who enjoy

  • Readers interested in historical photography
  • Those studying African American life under segregation
  • Readers focused on South Carolina and Southern history

Themes

African American historySegregationEveryday lifeSouth CarolinaEarly twentieth-century photography

Based on publisher information and book metadata.

Book overview

A poignant collection of 150 photographs, Camera Man's Journey takes us to a place at once familiar and foreign. Set in the South early in the twentieth century, these photographs bridge a distance not only of time but also of contrasting attitudes and customs.

The images show African Americans in or around Columbia, Beaufort, and Hilton Head, South Carolina. Some photographs were taken in surroundings where blacks might associate with whites--out of necessity and according to strict custom. Most of the images, however, are set in "colored sections" or other remote areas of town and country where blacks were obliged to fashion lives apart. Under segregation and disenfranchisement, men, women, and children are portrayed in ordinary occupations and pursuits: a peddler selling his wares, a woman tying a toddler's shoes, a barber and his young apprentice taking a break outside their shop.

Julian Dimock, whose works appeared often in major travel and nature magazines, took the photographs in 1904-5. So many photographers of the era tended to romanticize or politicize their African American subjects; Dimock was different. Signs of want and inequity are plain to see in these images, but Dimock portrays his subjects as they really were in all of their dignity, strength, and beauty.

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