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Building a Sustainable Theater: How to Remove Gatekeepers and Take Control of Your Artistic Career

by Scott Walters

Taking the reins of a theater career

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AlbakiReads Editorial

Taking the reins of a theater career

Scott Walters frames theater-making as both an artistic practice and a small-business undertaking. The book presents independence as agency: developing a personal vision, setting goals, and choosing projects without relying on an outside gatekeeper’s approval. Its practical emphasis is on planning, research, and strategies for founding a theater company designed to continue beyond a single production. Sustainability is treated across three dimensions—financial, artistic, and personal—while the company itself is understood as both a business structure and an ongoing creative relationship among artists. The argument centers on changing how theater work is organized, one independent artist and company at a time.

Good fit for readers who enjoy

  • Theater artists considering starting their own company
  • Performers and makers interested in the business side of sustaining theatrical work
  • Artists seeking greater control over their projects and professional direction

Themes

Artistic agency and independenceTheater entrepreneurshipFinancial, artistic, and personal sustainabilityCreative collaboration and company-building

Based on publisher information and book metadata.

Book overview

You are an artist, not an employee.Artists own their work and control their career.

 

This book is about change, innovation, rebooting the theater system in order to make it more widely available and its artists more strongly empowered. It is written for theater artists who are trailblazers and bushwhackers who want to take control of the theatrical means of production by starting their own theaters--theaters that are sustainable financially, artistically, and personally. If that's you, read on.

 

The difference between an artist and an employee has little to do with the quality of your work. Works of overwhelming genius have been created by employees, and works of mind-numbing mediocrity have been created by artists. The distinction I am drawing concerns one thing only: agency.

 

Artists have agency. They are in control. They develop a personal vision, they set goals, and they chart a course to achieve them. They do not have to fit into somebody else's ideas about them. They do not have to ask permission. They initiate.

 

A theater is a small business, something that will exist beyond a single production or even a single year. The goal is the creation of a company in both the business sense of a "structure that is a separate legal entity from its owners," but also in the theatrical sense of a group of artists who have an ongoing creative relationship.

 

I'll be describing some strategies and techniques that will empower you to become an independent artist. So what do I mean by "independent"? Think of the Declaration of Independence, in which the Founding Fathers declared themselves free of the control of England. Same thing here: independence means freedom from the control of others. It is the freedom to control what you do, when you do it, and where you do it without asking permission of an external authority. It is the freedom to be in charge of your artistic development-the projects and experiments you need to do to expand your skills and imagination and fully embody your vision.

 

You're in charge. You're the boss.

 

Our current theater system turns artists in to employees. This book seeks to change that one artist at a time by showing you that, with some thought, planning, and research, you have the ability to start a sustainable theater and lead a creative life that is fulfilling and engaging.

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